In a recent interview with Prog magazine, Yes guitarist Steve Howe revealed his favorite songs from the band's extensive catalog, with a surprising twist: most of them hail from the 1970s. This revelation sparks an intriguing discussion about the band's evolution and the enduring appeal of their early work.
Howe's selection includes 'Turn Of The Century' from the 1977 album 'Going For The One', which he describes as a 'magical' and 'deep' song. He attributes its success to the band's ability to create a cohesive musical experience, drawing on the 'soft side' of Yes, similar to 'And You And I' and 'Wonderous Stories'. The song's creation was a collaborative effort, with Howe, Chris Squire, Alan White, and Jon Anderson contributing to its structure and lyrics.
'Siberian Khatru' from the 1972 album 'Close To The Edge' is another standout choice. Howe highlights its archetypal elements, suggesting that the band could have revisited it in the style of the 'Close To The Edge' era. This song showcases the band's ability to create complex and layered music, with a sense of depth and intrigue.
'Tempus Fugit' from the 1980 album 'Drama' is a more recent addition to Howe's favorites. He recalls the song's creation before the band's collaboration with Trevor Horn and Geoff Downes, emphasizing the dynamic and fast-paced nature of the performance. Howe acknowledges the significant contributions of Horn and Downes, who added a new dimension to the song's structure and orchestration.
'South Side Of The Sky' from the 1971 album 'Fragile' is a nostalgic favorite for Howe. He reminisces about the innocence and experimentation of the 1970s, comparing the song to 'Starship Trooper' for its three distinct sections and development. Howe also recalls the creative process behind the guitar solo, involving Mickey Tait's innovative use of a microphone.
Finally, 'The Revealing Science Of God (Dance Of The Dawn)' from the 1973 album 'Tales From Topographic Oceans' is a song that embodies the band's ambitious and challenging nature. Howe reflects on the initial skepticism and eventual success of the project, attributing it to the band's determination and Jon Anderson's lyrical prowess. He highlights the song's ability to capture the essence of the album, with its playful and thought-provoking lyrics.
Howe's selection of favorite songs from the 1970s highlights the band's artistic growth and the enduring quality of their music. His commentary provides a fascinating insight into the creative process and the evolution of Yes, showcasing their ability to create timeless and captivating songs that continue to resonate with fans.
